The Newest

So, I’ve been a fan of The Twilight Zone since I was a wee lad. My very first experiences with the series tended to take place after Cubs games–directly following, WGN-TV would tend to fill time with TWZ episodes. This was back in the day when my family lived in Chicago, and we watched television exclusively over the antenna; since Chicago had a couple fistfuls of channels, we didn’t really “need” cable. I’m sure people may even experience that these days with digital television and the increased channels you find over the air.

Anyway, I don’t remember what the first episode I saw was. I’ve seen every episode at least three times over the decades, between those initial viewings and the subsequent times I had seen it on cable, particularly with the Sci-Fi Channel and their New Years TWZ marathons. And then, of course, there had been two other revivals in the 80s and early 00s. I like each of them, of course, but there’s just something about anthological series which appeal greatly to me. I feel the same way about The Outer Limits, Black Mirror, Electric Dreams, Amazing Stories (which is also about to be revived).

So, I was quite over the moon to know that they were reviving the show yet again. There really hadn’t been a lot of anthological TV out there since the last TWZ revival until Black Mirror came along. Then Electric Dreams came along, almost in response. It seemed inevitable that TWZ would come back again.

CBS All-Access came along last year. The first show I watched on it was Star Trek: Discovery. It was TV-MA (a rating which specifies that it’s meant for mature audiences), which seemed a bit odd for a Star Trek series. Given its content over the past two seasons, though, if my girls are interested in Star Trek it’ll have to end at Enterprise until they get to be mature enough–whenever that might be for each of them.

It came as a bit of a surprise to find, as The Twilight Zone premiered today, that it was also TV-MA. It seems CBS All-Access is All Adult. So, it may be a while before the little ones get to see all of these mature (but generally good) incarnations of what had been, historically, been perceived to be a bit more family-friendly.

They dropped the first two episodes today, both of which most certainly live up to this rating. The stories, themselves, were quite good. One was about a comedian who makes jokes about people he personally knows only to see them disappear from reality. The second was somewhat a remake of Shatner’s “Nightmare at 20,000 Feet”, where a guy on an airplane acts against perceived threats to a flight; a bit more psychological in that it’s not, actually, a “man” on the wing which threatens this particular flight, but other…factors.

Keith and I were discussing this second episode as I was watching it. It had a couple of interesting twists from the original, and what we agree to be one awful end. The very final scene could have been cut from the story, and it would have been a far greater end than what went down. Even with that being said, it and the first episode were quite good.

One thing of note is that the original Twilight Zone always contained a moral of some kind–the protagonist(s) usually ended up facing some kind of dilemma, many times the crux of which originated from their own ego or hubris. The same could definitely be said of these particular episodes. Our opinion is that we hope that this particular revival of the series will contain some levity the likes of which we saw in the original–it knew how to tell moral stories, but it also knew how to have fun with it at times. We seem to live in a hyper-sensitive culture that borders on the serious way too often, a culture that seems to thrive anger and animus. We even see it in our entertainment, in how super-preachy it can sometimes get these days and takes itself far too seriously. How we can have any fun without escapism that removes ourselves from all that is beyond me–I hope it’s not leading to a cultural collapse due to lack of it. That levity known in the original could go a long way with this one.

Of course, that being said, were the messages of each seen as family-friendly back in those days? Certain concepts were new and controversial with both–e.g., the Kirk/Uhura kiss in “Plato’s Stepchildren”, the racism addressed in “Quality of Mercy” in Serling’s TWZ just to name a couple of rather stark social instances. Each also contained so much more than that as far as depth of topics went. It wasn’t just that each were one-trick ponies trying to forward social justice causes and that was it. Both also had stories far more light-hearted and humorous, covering the gamut of the human experience, not just the narrow social justice stuff that seems to over-permeate (and make somewhat joyless?) the entertainment experience in this day and age.

Probably reading too deep into it, particularly at this point. Obviously, you can’t tell a whole heap of a lot from just two episodes. But, even with all of this in mind, it’s a pretty good show, thus far. Can’t wait to see more; they most definitely have me intrigued.

So, over the past month or two, I have taken to using a password manager. Right now, I’m using one called LastPass. It’s a client-side encrypted repository that stores not only passwords, but also notes and other important information.

I’ve been beefing up my passwords, making them 50 characters where possible and putting them in the form that’s current DoD standard. Some websites won’t take such passwords, unfortunately, and I’ve had to compromise there. But, even so, if I have to fashion a simple 8-16 character (no special character) password, I do so pseudo-randomly.

FWIW, LastPass has a security challenge where it examines your passwords and attributes a score accordingly. This is probably as good as I’m going to get it, given those limitations of certain websites (I really should give the offenders a talking to so I can get my overall score above 99%…it’s giving my OCD eyes the twitch).

Prior to the release of this particular film, Brie Larson made charged comments about making the press tour “more inclusive”, that she noted the proportionality of one particular demographic. Fine, ok, take that what ever way you want. Personally, I find the notion to be a little silly–the historical majority demographic of comic books (and, I would presume, even MCU/DCEU movies) have been a particular demographic. It makes sense, from a probability perspective, that’s how it would shape up–not, necessarily, that any exclusive malice was occurring, just that it’s representative of the majority demographic. But, many in this world are sensitive about demographics because they project their views of history as to why that is and attempt to associate actual malice to it, as opposed to accepting that perhaps we’ve moved beyond such notions, and that things just are the way they are because that’s the way they were–and that demographics will shift if there is interest. Is that to say that there are not those who would fight to maintain a majority demographic? Certainly not. But, I think that it’s more and more a very minority sentiment. Though, being preachy about such matters or wagging a finger in anyone’s face about it doesn’t help further an environment of neutrality/blindness in those regards. But, maybe that’s me just seeing the world through the lens of my own sentiments regarding race, gender, orientation and creed–it doesn’t matter what your attributes are, but who you are as a person.

Minor-to-major spoilers ahead

So, somehow I had avoided reading this one in high school. Friends have told me they had read it, but I don’t remember picking the book up in any of my CP English classes. I do remember some Ray Bradbury, Brontë, Fitzgerald, Shelley, and many other great authors. In a freak of circumstance, though, I had never picked up Orwell–even in my sci-fi literature class senior year.

In 2019, I have finally gotten through the novel. I now understand all of the references, and see crazy parallels in our own world.

Ultimately, the novel is about the dangers of totalitarianism. The story revolves around a man, Winston Smith, who becomes disenchanted with Oceania (a nation comprised of what was the United States, Canada, England and a couple of other countries) as it is and seeks to revolt against it. He meets a woman, and given the world in which he lives, does not trust her. But, eventually they are befriended and fall in love. Tragically, they’re separated by Big Brother and “cleansed” before final disposition.

The novel was quite compelling. Obviously, we haven’t come close to that world in the current day–and hopefully will never even skirt the edges of that kind of world. Politically, both of the major sides these days may accuse the other of bringing us there. I have a feeling, if we ever do, it’ll be because of both of them.

In any case, the writing was excellent. When I pictured the tech in this world, I pictured very much things that I would have imagined seeing in 1940s projections of the future. The telescreen, for instance, I imagined to be a gigantic television. Of course, if you look at the world as it truly is today, one might say they’d be smartphones. They have rockets, atomic weapons, pneumatic tubes for delivery of information. Obviously a bit primitive by our standards, but science in that age has a far different purpose in perpetuating the state.

The ending was somber, but I suppose I should have expected that. I had high hopes in the middle of the story that the revolution that Smith envisioned would come true, that he’d avoid the seemingly inevitable execution. I knew that someone would betray him, though I somehow thought it’d be Julia before O’Brien–love just seemed such an unlikely thing in that world, and so she seemed the most likely to have turned him in for his “perversion” against the state.

I’m only sorry that it took me this long to get to it; it really was a great story, and hopefully not prescient about the world to come (as I’m sure everyone who has read it has hoped since Orwell published it).

At some point soon, I want to read Brave New World. Apparently, the world ends up in very much the same kind of place but in a very different way. As opposed to brutality to institute totalitarianism, the populace is lulled into it by having all of their wants and desires met.

For now, though, I’m reading a nice Star Trek novel called “To Reign in Hell” about Khan Noonien Singh and his time on Ceti Alpha V. My pattern seems to be that every other novel I read these days is a Star Trek one (sometimes Star Wars, if something new is out). There are still four active series being written (TOS, TNG, VOY, DIS) at the moment, so there are always plenty of new novels there to read. Also, again anything Star Wars (yes, even Disney Star Wars) is something I gravitate towards. I’m also reading through Harry Potter–I’m through Order of the Phoenix, at this point. And, I have plenty on the horizon that I want to pick up.

Ahhh, how I love reading…

This may be the best Star Trek since TNG–in particular, tonight’s episode (“If Memory Serves”). This whole season has been quite the build-up, and far more consistent than the first season. I still think this series would have been better-served had it been anthological, as was one of the early ideas of Bryan Fuller–with each season being a self-contained story with disparate crews, ships and even time frames. But, it seems like CBS is investing in Star Trek, at the moment–there is a forthcoming Section 31 series, a Jean-Luc Picard series, and an animated series which follows the same spirit of the TNG episode “Lower Decks”. We’ll see how it all goes, but I do wonder if we’ll see the same kind of overload that I think is happening with Star Wars. Now that there aren’t going to likely be any movies for the foreseeable future, though, I’m glad that Star Trek is out there in SOME form besides novels.